- LITTLE BIG ADVENTURE 2 TEMPLE OF BU SOFTWARE
- LITTLE BIG ADVENTURE 2 TEMPLE OF BU PC
- LITTLE BIG ADVENTURE 2 TEMPLE OF BU SERIES
Vachey takes the sounds of a harp and electronically manipulates its notes to thicken them, allowing them to fill the soundscape while retaining the solo instrument’s sparseness – all to evoke a vast, empty space. Almost each composition is a score highlight, spearheaded by “Desert”, a greatly original take on the standard desert theme.
LITTLE BIG ADVENTURE 2 TEMPLE OF BU SERIES
After its relatively uniform opening, Little Big Adventure takes off into a series of vignettes, all realised with utmost skill. Remarkably enough, Vachey’s carefully crafted melodies and orchestrations – particularly a passage for flute, harp and pizzicato strings in “The Quest”’s second half – foreshadow Hitoshi Sakimoto’s trademark heroic fantasy stylings heard a few years later.Ĭlocking in at only 25 minutes, there’s not necessarily much of an album arc to the Little Big Adventure soundtrack. It’s as if the composition is trembling with the giddy anticipation of finally embarking on an adventure, unable to wait until the quest finally begins – and when a cathartic orchestral flourish finally bursts out with youthful abandon, it raises the curtain on a gorgeous, sun-lit scenery. An energising double bass figure and rising brass chords all contribute to a wonderful build up. The former starts with an immediately memorable, shamelessly optimistic trumpet ostinato. Things continue in equally delightful fashion with “The Quest” and “The Rebels”.
The instrument sounds’ greater authenticity over previous Western orchestral scores is a crucial aspect of Little Big Adventure’s immense appeal. It helps that due to technological advancements, Vachey is in a position to use Red Book audio and thus live performers. Indeed, his joy of scoring such a vivid universe is felt in every piece. Vachey described in interviews how much the vibrant world of Little Big Adventure inspired him. It’s a light-hearted, charming fantasy score that still builds a world and quest of immense And thus, the Little Big Adventure soundtrack establishes its dual nature. Starting with a lyrical, yet majestic melody for oboe with brass backing, “Opening for Lba” seamlessly develops and moves through a multitude of textures and moods with the confidence and breadth of a grand fantasy score composition. While “Opening for Lba” establishes the sunny, upbeat mood that characterises most of the score, the composition doesn’t lack drama. “Opening for Lba” convinces right from the start with its beautifully layered and colourful orchestrations, flawless development, and enchanting melodies and countermelodies. However, on the Little Big Adventure soundtrack, Vashey quickly establishes proof of his masterful handling of orchestral forces. His most notable score was Alone in the Dark, even if the music was less effective outside of the game. Self-taught composer Philippe Vachey had only worked on a few French computer game scores before Little Big Adventure. It came from a somewhat unexpected source. In short, after Wing Commander and Ultima: Worlds of Adventure 2 – Martian Dreams, Little Big Adventure was the next big step forward for Western orchestral game music. Just as fondly remembered as the game is the Little Big Adventure soundtrack, and for good reason. Other innovations like the game’s open-ended world and novel 3d perspective helped turn this action adventure into a genre classic.
LITTLE BIG ADVENTURE 2 TEMPLE OF BU SOFTWARE
That has a lot to do with the sheer amount of charm and personality that developer Adeline Software managed to fill Little Big Adventure with. A resounding commercial success, Little Big Adventure maintains a steadfastly loyal fan base decades after its release.
LITTLE BIG ADVENTURE 2 TEMPLE OF BU PC
Little Big Adventure is probably one of the most fondly-remembered PC games of the 1990s. Little Big Adventure Soundtrack, Philippe Vachey, 1994
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